Skip to main content
Advanced Search
Image Not Available for Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Image Not Available for Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)

Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched 1815–16; printed late 19th century
Medium/TechniqueEtching, burnished sulfur tint, mottled tint, or aquatint, drypoint, and burin; posthumous printing
DimensionsSheet: 31.2 x 44.9 cm (12 5/16 x 17 11/16 in.)
Credit LineGift of Miss Katherine Eliot Bullard
Accession numberM27942
On View
Not on view
ClassificationsPrints
ProvenanceKatherine Eliot Bullard (1866-1920), Boston; gift May 1919
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; printed 19th century
Image Not Available for Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; Late 19th to early 20th century printing
Image Not Available for Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)
Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Image Not Available for Combat dans une voiture attelèe de deux mulets. (Flight in a carriage harnessed to two mules); rejected plate [G] for the series "Tauromaquia" (Bullfighting)
Combat dans une voiture attelèe de deux mulets. (Flight in a carriage harnessed to two mules); rejected plate [G] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Combat dans une voiture attelèe de deux mulets. (Flight in a carriage harnessed to two mules); rejected plate [G] for the series "Tauromaquia" (Bullfighting)
Combat dans une voiture attelèe de deux mulets. (Flight in a carriage harnessed to two mules); rejected plate [G] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
Combat dans une voiture attelèe de deux mulets. (Flight in a carriage harnessed to two mules); rejected plate [G] for the series "Tauromaquia" (Bullfighting)
Combat dans une voiture attelèe de deux mulets. (Flight in a carriage harnessed to two mules); rejected plate [G] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Image Not Available for Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Image Not Available for Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Esta no lo es menos. (This is no less so); from "Los Desastres de la Guerra" (Disasters of War), plate 67 (one of the "caprichos enfáticos")
Esta no lo es menos. (This is no less so); from "Los Desastres de la Guerra" (Disasters of War), plate 67 (one of the "caprichos enfáticos")
Francisco Goya y Lucientes
Drawn and etched about 1814–15, published 1863
Farándula de charlatanes. (Charlatans' Show); from "Los Desastres de la Guerra" (Disasters of War), plate 75 (one of the "caprichos enfáticos")
Farándula de charlatanes. (Charlatans' Show); from "Los Desastres de la Guerra" (Disasters of War), plate 75 (one of the "caprichos enfáticos")
Francisco Goya y Lucientes
Drawn and etched about 1814–15; published 1863