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Image Not Available for Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)
Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)
Image Not Available for Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)

Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched 1815–16; printed late 19th century
Medium/TechniqueEtching, burnished sulfur tint or aquatint, and drypoint, and burin; posthumous printing
DimensionsSheet: 31.5 x 44.9 cm (12 3/8 x 17 11/16 in.)
Credit LineGift of Miss Katherine Eliot Bullard
Accession numberM27943
On View
Not on view
ClassificationsPrints
ProvenanceKatherine Eliot Bullard (1866-1920), Boston; gift May 1919
Image Not Available for Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; printed 19th century
Image Not Available for Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; Late 19th to early 20th century printing
Image Not Available for Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Image Not Available for Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Esta no lo es menos. (This is no less so); from "Los Desastres de la Guerra" (Disasters of War), plate 67 (one of the "caprichos enfáticos")
Esta no lo es menos. (This is no less so); from "Los Desastres de la Guerra" (Disasters of War), plate 67 (one of the "caprichos enfáticos")
Francisco Goya y Lucientes
Drawn and etched about 1814–15, published 1863
Farándula de charlatanes. (Charlatans' Show); from "Los Desastres de la Guerra" (Disasters of War), plate 75 (one of the "caprichos enfáticos")
Farándula de charlatanes. (Charlatans' Show); from "Los Desastres de la Guerra" (Disasters of War), plate 75 (one of the "caprichos enfáticos")
Francisco Goya y Lucientes
Drawn and etched about 1814–15; published 1863
Image Not Available for No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
No se puede saber por que. [No se puede saber por qué.] (There is no way of telling why.); from "Los Desastres de la Guerra" (Disasters of War), plate 35
No se puede saber por que. [No se puede saber por qué.] (There is no way of telling why.); from "Los Desastres de la Guerra" (Disasters of War), plate 35
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Disparate de Tontos (Fool's Folly) from the Disparates series
Disparate de Tontos (Fool's Folly) from the Disparates series
Francisco Goya y Lucientes
Drawn and etched, 1816-19, printed about 1877
Qué alborato es este? (What is this hubbub?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 65 (one of the "caprichos enfáticos").
Qué alborato es este? (What is this hubbub?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 65 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863