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El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16

El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched about 1815–16; published 1816
Medium/TechniqueEtching, burnished aquatint, burin, and drypoint, and burnishing; first edition
DimensionsPlatemark: 24.6 x 35.3 cm (9 11/16 x 13 7/8 in.)
Sheet: 32.6 x 44.5 cm (12 13/16 x 17 1/2 in.)
Credit LineBequest of W. G. Russell Allen
Accession number1974.272
On View
Not on view
ClassificationsPrints
ProvenanceW.G. Russell Allen (1882-1955), Boston; bequest April, 1974
Fuerte cosa es! (This is too much!); from "Los Desastres de la Guerra" (Disasters of War), plate 31
Fuerte cosa es! (This is too much!); from "Los Desastres de la Guerra" (Disasters of War), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Bárbaros! (Barbarians); from "Los Desastres de la Guerra" (Disasters of War), plate 38
Bárbaros! (Barbarians); from "Los Desastres de la Guerra" (Disasters of War), plate 38
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Con razon ó sin ella. (Rightly or Wrongly); from "Los Desastres de la Guerra" (Disasters of War), plate 2
Con razon ó sin ella. (Rightly or Wrongly); from "Los Desastres de la Guerra" (Disasters of War), plate 2
Francisco Goya y Lucientes
Drawn and etched 1811-12; published 1863
Que valor! (What courage!); from "Los Desastres de la Guerra" (Disasters of War), plate 7
Que valor! (What courage!); from "Los Desastres de la Guerra" (Disasters of War), plate 7
Francisco Goya y Lucientes
Drawn and etched 1811-12, published 1863
Tan poco.[Tampoco.] (So little / Nor this); from "Los Desastres de la Guerra" (Disasters of War), plate 36
Tan poco.[Tampoco.] (So little / Nor this); from "Los Desastres de la Guerra" (Disasters of War), plate 36
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
Francisco Goya y Lucientes
Drawn and etched 1815–16, printed about 1921
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Ni mas ni menos. (Neither more nor less); Caprichos 41
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo. (The moors settled in Spain...); from the series "Tauromaquia" (Bullfighting), plate 3
Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo. (The moors settled in Spain...); from the series "Tauromaquia" (Bullfighting), plate 3
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816