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Cranes and Pine Shoots

Cranes and Pine Shoots

(Japanese, active about 1810–1853)
about 1830–44 (Tenpô era)
Medium/TechniqueWoodblock print (nishiki-e); ink and color on paper
DimensionsHarimaze, cut from vertical ôban sheet; 35.4 x 16.3 cm (13 15/16 x 6 7/16 in.)
Credit LineDenman Waldo Ross Collection
Accession number11.1861
On View
Not on view
ClassificationsPrints
Cranes, Pine Tree, and Rising Sun
Cranes, Pine Tree, and Rising Sun
Katsushika Taito II
1847–52 (Kôka 4–Kaei 5)
Carp
Carp
Katsushika Taito II
about 1830–44 (Tenpô era)
Cranes and Pine Shoots
Cranes and Pine Shoots
Katsushika Taito II
about 1830–44 (Tenpô era)
Bats and Moon, Dragon in Clouds, Calligraphy (harimaze)
Bats and Moon, Dragon in Clouds, Calligraphy (harimaze)
Katsushika Taito II
about 1830–44 (Tenpô era)
Monkey Bridge in Moonlight; Calligraphy in Stone-rubbing Style (harimaze)
Monkey Bridge in Moonlight; Calligraphy in Stone-rubbing Style (harimaze)
Katsushika Taito II
1830s
Cranes and Pine Shoots
Cranes and Pine Shoots
Katsushika Taito II
about 1830–44 (Tenpô era)
Courtesan, probably cut from from an unidentified harimaze sheet
Courtesan, probably cut from from an unidentified harimaze sheet
Katsushika Taito II
Monkey Bridge in Moonlight; Calligraphy in Stone-rubbing Style (harimaze)
Monkey Bridge in Moonlight; Calligraphy in Stone-rubbing Style (harimaze)
Katsushika Taito II
about 1830–44 (Tenpô era)
Courtesan on Parade
Courtesan on Parade
Katsushika Taito II
about 1830–44 (Tenpô era)
Bats and Moon, Dragon in Clouds, Calligraphy (harimaze)
Bats and Moon, Dragon in Clouds, Calligraphy (harimaze)
Katsushika Taito II
about 1830–44 (Tenpô era)
The Snake Woman of the Bottomless Cavern of Mount Kankû (Kankûsan muteidô no dajo), from Part IV, Vol. 1 of the book Ehon Saiyû Zenden
The Snake Woman of the Bottomless Cavern of Mount Kankû (Kankûsan muteidô no dajo), from Part IV, Vol. 1 of the book Ehon Saiyû Zenden
Katsushika Taito II
preface: 1835 (Tenpô 6)
Courtesan on Parade
Courtesan on Parade
Katsushika Taito II
about 1830–44 (Tenpô era)