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The Snake Woman of the Bottomless Cavern of Mount Kankû (Kankûsan muteidô no dajo), from Part IV, Vol. 1 of the book Ehon Saiyû Zenden

(Japanese, active about 1810–1853)
(Japanese, 1760–1849)
preface: 1835 (Tenpô 6)
Medium/TechniqueWoodblock print (nishiki-e); ink and color on paper
DimensionsOne page; 18 x 13.2 cm (7 1/16 x 5 3/16 in.)
Credit LineWilliam Sturgis Bigelow Collection
Accession number11.19941
On View
Not on view
ClassificationsPrints
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
Cranes, Pine Tree, and Rising Sun
Katsushika Taito II
1847–52 (Kôka 4–Kaei 5)
Carp
Katsushika Taito II
about 1830–44 (Tenpô era)
Cranes and Pine Shoots
Katsushika Taito II
about 1830–44 (Tenpô era)
Bats and Moon, Dragon in Clouds, Calligraphy (harimaze)
Katsushika Taito II
about 1830–44 (Tenpô era)
Cranes and Pine Shoots
Katsushika Taito II
about 1830–44 (Tenpô era)
Courtesan on Parade
Katsushika Taito II
about 1830–44 (Tenpô era)
Cranes and Pine Shoots
Katsushika Taito II
about 1830–44 (Tenpô era)
Bats and Moon, Dragon in Clouds, Calligraphy (harimaze)
Katsushika Taito II
about 1830–44 (Tenpô era)
Courtesan on Parade
Katsushika Taito II
about 1830–44 (Tenpô era)