Skip to main content

Pool in the Forest

(French, 1812–1867)
early 1850s
Medium/TechniqueOil on canvas
Dimensions39.4 x 57.4 cm (15 1/2 x 22 5/8 in.)

Credit LineRobert Dawson Evans Collection
Accession number17.3241
On View
Not on view
ClassificationsPaintings
Collections
Description
Although landscape painting as a genre slowly gained recognition, Rousseau was repeatedly rejected for the Paris Salon, earning himself the nickname "le grand refusé." Following the political upheaval of the Revolution of 1848, changes in the arts administration of the French state resulted in new Salon regulations, which were more supportive of artists like Rousseau and his Barbizon contemporaries. This forest view is typical of his style of this period: shadowy trees appear silhouetted against a sunlit field, as reflections of autumnal colors ripple in the watery surface below.
InscriptionsLower right: T H Rousseau
ProvenancePossibly with a Mr. Garnier, probably Henri Garnier, Paris [see note 1]. Robert Dawson Evans (b. 1843 - d. 1909) and his wife, Maria Antoinette Hunt Evans (b. 1845 - d. 1917), Boston; 1917, bequest of Mrs. Robert Dawson Evans to the MFA. (Accession Date: November 1, 1917)

NOTE:
[1] According to documents in curatorial file, from the Evans estate.
Cottage in a Clump of Trees
Théodore Rousseau
Banks of the Sèvre (Vendée)
Théodore Rousseau
1859
Italian Hills
Claude Félix Théodore Caruelle d' Aligny
about 1826–27
Lancelot-Théodore Turpin de Crissé
1840
Louis Bonnier
Theodore van Rysselberghe
1903
Conservation Status: After Treatment
Charles Théodore Frère
about 1864
Bridge at Ipswich
Theodore M. Wendel
about 1905
Lake of Geneva (Lac Leman)
Henri Julian Félix Rousseau
Temple of Antoninus and Faustina
Lancelot-Théodore Turpin de Crissé
1808
Formation III (Green Landscape)
Arthur Garfield Dove
about 1942