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Por que fue sensible (Because She Was Susceptible) Caprichos 32
Por que fue sensible (Because She Was Susceptible) Caprichos 32

Por que fue sensible (Because She Was Susceptible) Caprichos 32

Francisco Goya y Lucientes (Spanish, 1746–1828)
etched and printed 1797-99, published 1799
Medium/TechniqueAquatint with scratching, on laid paper, first edition
DimensionsPlatemark: 21.5 x 15.1 cm (8 7/16 x 5 15/16 in.)
Sheet: 30.3 x 19.5 cm (11 15/16 x 7 11/16 in.)
Credit LineBequest of Eleanor A. Sayre
Accession number2002.502
On View
Not on view
ClassificationsPrints
InscriptionsUpper right in engraving: 32.; lower center in engraving: titleProvenanceEleanor A. Sayre (b. 1916–d. 2001), Cambridge, MA; 2002, bequest of Eleanor A. Sayre to the MFA. (Accession Date: October 23, 2002)
Image Not Available for Disparate Ridiculo (Ridiculous Folly); from the "Disparates" series, plate 3
Disparate Ridiculo (Ridiculous Folly); from the "Disparates" series, plate 3
Francisco Goya y Lucientes
Drawn and etched 1815–17; published 1864
Image Not Available for Disparate Alegre (Merry Folly); plate 12, bound into first edition of Los Proverbios ("Disparates")
Disparate Alegre (Merry Folly); plate 12, bound into first edition of Los Proverbios ("Disparates")
Francisco Goya y Lucientes
Drawn and etched 1816–19; published 1864
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Que viene el Coco. (The bogeyman is coming); Caprichos 3
Que viene el Coco. (The bogeyman is coming); Caprichos 3
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Nadie se conoce. (Nobody knows anybody, including himself); Caprichos 6
Nadie se conoce. (Nobody knows anybody, including himself); Caprichos 6
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
El amor y la muerte. (Love and Death); Caprichos 10
El amor y la muerte. (Love and Death); Caprichos 10
Francisco Goya y Lucientes
1797–1799
A caza de dientes. (Out hunting for teeth); Caprichos 12
A caza de dientes. (Out hunting for teeth); Caprichos 12
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Bellos Consejos (Pretty Advice) Caprichos 15
Bellos Consejos (Pretty Advice) Caprichos 15
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ni mas ni menos. (Neither more nor less); Caprichos 41
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Otro modo de cazar á pie. (Another way of hunting on foot); "Tauromaquia" (Bullfighting), plate 2
Otro modo de cazar á pie. (Another way of hunting on foot); "Tauromaquia" (Bullfighting), plate 2
Francisco Goya y Lucientes
1815–1816
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816