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Por que fue sensible (Because She Was Susceptible) Caprichos 32

Por que fue sensible (Because She Was Susceptible) Caprichos 32

(Spanish, 1746–1828)
etched and printed 1797-99, published 1799
Medium/TechniqueAquatint with scratching, on laid paper, first edition
DimensionsPlatemark: 21.5 x 15.1 cm (8 7/16 x 5 15/16 in.)
Sheet: 30.3 x 19.5 cm (11 15/16 x 7 11/16 in.)
Credit LineBequest of Eleanor A. Sayre
Accession number2002.502
On View
Not on view
ClassificationsPrints
InscriptionsUpper right in engraving: 32.; lower center in engraving: title
ProvenanceEleanor A. Sayre (b. 1916–d. 2001), Cambridge, MA; 2002, bequest of Eleanor A. Sayre to the MFA. (Accession Date: October 23, 2002)
Image Not Available for Disparate Ridiculo (Ridiculous Folly); from the "Disparates" series, plate 3
Disparate Ridiculo (Ridiculous Folly); from the "Disparates" series, plate 3
Francisco Goya y Lucientes
Drawn and etched 1815–17; published 1864
Image Not Available for Disparate Alegre (Merry Folly); plate 12, bound into first edition of Los Proverbios ("Disparates")
Disparate Alegre (Merry Folly); plate 12, bound into first edition of Los Proverbios ("Disparates")
Francisco Goya y Lucientes
Drawn and etched 1816–19; published 1864
Que viene el Coco. (The bogeyman is coming); Caprichos 3
Que viene el Coco. (The bogeyman is coming); Caprichos 3
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Nadie se conoce. (Nobody knows anybody, including himself); Caprichos 6
Nadie se conoce. (Nobody knows anybody, including himself); Caprichos 6
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
El amor y la muerte. (Love and Death); Caprichos 10
El amor y la muerte. (Love and Death); Caprichos 10
Francisco Goya y Lucientes
1797–1799
A caza de dientes. (Out hunting for teeth); Caprichos 12
A caza de dientes. (Out hunting for teeth); Caprichos 12
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Bellos Consejos (Pretty Advice) Caprichos 15
Bellos Consejos (Pretty Advice) Caprichos 15
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ni mas ni menos. (Neither more nor less); Caprichos 41
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Francisco Goya y Lucientes
1815- 1816
Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10
Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10
Francisco Goya y Lucientes
1815–16