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Ligereza y atrevimiento de Juanito Apiñani en la de Madrid. (The agility and audacity of Juanito Apiñani in [the ring] at Madrid); from the series "Tauromaquia" (Bullfighting), plate 20

Ligereza y atrevimiento de Juanito Apiñani en la de Madrid. (The agility and audacity of Juanito Apiñani in [the ring] at Madrid); from the series "Tauromaquia" (Bullfighting), plate 20

(Spanish, 1746–1828)
Drawn and etched 1815–16; published 1928
Medium/TechniqueEtching and aquatint, sixth editon of 1928
DimensionsPlatemark: 24.9 x 35 cm (9 13/16 x 13 3/4 in.)
Sheet: 35. x 45 cm (13 3/4 x 17 11/16 in.)
Credit LineBequest of Eleanor A. Sayre
Accession number2002.524
On View
Not on view
ClassificationsPrints
ProvenanceEleanor A. Sayre, Cambridge, MA; bequest to MFA
El si pronouncian y la mano alargan/ Al primero que llega. (They say "yes" and give their hand to the first who comes); Plate 2 bound into "Los Caprichos"
El si pronouncian y la mano alargan/ Al primero que llega. (They say "yes" and give their hand to the first who comes); Plate 2 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que viene el Coco. (The bogeyman is coming); Plate 3 bound into "Los Caprichos"
Que viene el Coco. (The bogeyman is coming); Plate 3 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
El de la rollona (Nanny's Boy); Plate 4 bound into "Los Caprichos"
El de la rollona (Nanny's Boy); Plate 4 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Tal para qual. (Two of a Kind); Plate 5 bound into "Los Caprichos"
Tal para qual. (Two of a Kind); Plate 5 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Nadie se conoce. (Nobody knows anybody, including himself); Plate 6 bound into "Los Caprichos"
Nadie se conoce. (Nobody knows anybody, including himself); Plate 6 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ni asi la disintingue. (He cannot make her out even this way); Plate 7 bound into "Los Caprichos"
Ni asi la disintingue. (He cannot make her out even this way); Plate 7 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que se la llevaron. (They have carried her off!) Plate 8 bound into "Los Caprichos"
Que se la llevaron. (They have carried her off!) Plate 8 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Tantalo. (Tantalus); Plate 9 bound into "Los Caprichos"
Tantalo. (Tantalus); Plate 9 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
El amor y la muerte. (Love and Death); Plate 10 bound into "Los Caprichos"
El amor y la muerte. (Love and Death); Plate 10 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Muchachos al avío. (Lads Making Ready); Plate 11 bound into "Los Caprichos"
Muchachos al avío. (Lads Making Ready); Plate 11 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
A caza de dientes. (Out hunting for teeth); Plate 12 bound into "Los Caprichos"
A caza de dientes. (Out hunting for teeth); Plate 12 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799