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El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The same Ceballos mounted on another bull breaks short spears in the ring at Madrid); from the series "Tauromaquia" (Bullfighting), plate 24
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The same Ceballos mounted on another bull breaks short spears in the ring at Madrid); from the series "Tauromaquia" (Bullfighting), plate 24

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The same Ceballos mounted on another bull breaks short spears in the ring at Madrid); from the series "Tauromaquia" (Bullfighting), plate 24

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched 1815–16, published 1816
Medium/TechniqueEtching, burnished aquatint, drypiont and burin, impression from the first edition
DimensionsPlatemark: 24.5 x 35.4 cm (9 5/8 x 13 15/16 in.)
Sheet: 32 x 45 cm (12 5/8 x 17 11/16 in.)
Credit LineBequest of Eleanor A. Sayre
Accession number2002.525
On View
Not on view
ClassificationsPrints
InscriptionsU. r. in burin" 24ProvenancePhilip Hofer, Cambridge, MA (1898-1984); Eleanor A. Sayre, Cambridge, MA; bequest to MFA
Quien lo Creyera! (Who Would Have Thought It!) Plate 62 of "Los Caprichos"
Quien lo Creyera! (Who Would Have Thought It!) Plate 62 of "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
Francisco Goya y Lucientes
Drawn and etched 1815–16, printed about 1921
Todos Caerán. (All will fall); Plate 19 from "Los Caprichos"
Todos Caerán. (All will fall); Plate 19 from "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Porque esconderlos? (Why hide them?); Plate 30 from "Los Caprichos"
Porque esconderlos? (Why hide them?); Plate 30 from "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Bellos Consejos (Pretty Advice) Caprichos 15
Bellos Consejos (Pretty Advice) Caprichos 15
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ni mas ni menos. (Neither more nor less); Caprichos 41
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Los Chinchillas. (The Chinchillas); Plate 50 from the series "Los Caprichos"
Los Chinchillas. (The Chinchillas); Plate 50 from the series "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799