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Warlock on a Swing among Demons

Warlock on a Swing among Demons

(Spanish, 1746–1828)
(American, 1907–1973)
1824–28, printed 1954
Medium/TechniqueEtching and burnished aquatint
DimensionsPlatemark: 18.8 x 12.2 cm (7 3/8 x 4 13/16 in.)
Sheet: 26.4 x 18.9 cm (10 3/8 x 7 7/16 in.)
Credit LineBequest of Eleanor A. Sayre
Accession number2002.535
On View
Not on view
ClassificationsPrints
InscriptionsVerso in blue ink in hand of E. Sayre: This impression printed on old paper by / Ture Bengtz, Boston, 1954
ProvenanceEleanor A. Sayre, Cambridge, MA; bequest of Eleanor A. Sayre October 23, 2002
No se puede mirar. (One can't look); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 26.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
El si pronouncian y la mano alargan/ Al primero que llega. (They say "yes" and give their hand to the first who comes); Plate 2 bound into "Los Caprichos"
El si pronouncian y la mano alargan/ Al primero que llega. (They say "yes" and give their hand to the first who comes); Plate 2 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Nadie se conoce. (Nobody knows anybody, including himself); Plate 6 bound into "Los Caprichos"
Nadie se conoce. (Nobody knows anybody, including himself); Plate 6 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que se la llevaron. (They have carried her off!) Plate 8 bound into "Los Caprichos"
Que se la llevaron. (They have carried her off!) Plate 8 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Tantalo. (Tantalus); Plate 9 bound into "Los Caprichos"
Tantalo. (Tantalus); Plate 9 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
El amor y la muerte. (Love and Death); Plate 10 bound into "Los Caprichos"
El amor y la muerte. (Love and Death); Plate 10 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Muchachos al avío. (Lads Making Ready); Plate 11 bound into "Los Caprichos"
Muchachos al avío. (Lads Making Ready); Plate 11 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
A caza de dientes. (Out hunting for teeth); Plate 12 bound into "Los Caprichos"
A caza de dientes. (Out hunting for teeth); Plate 12 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Dios la Perdone: Y era su madre. (For heaven's sake, and it was her mother); Plate 16 bound into "Los Caprichos"
Dios la Perdone: Y era su madre. (For heaven's sake, and it was her mother); Plate 16 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799