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Self-Portrait (Autorretrato)

(Mexican, 1940 – 2019)
1999
Medium/TechniqueDrypoint and aquatint
DimensionsPlatemark: 13 x 19.1 cm (5 1/8 x 7 1/2 in.)
Sheet: 30.5 x 34.3 cm (12 x 13 1/2 in.)
Credit LineGift of Efraín Barradas in honor of Philip Olander
Accession number2003.768
On View
Not on view
ClassificationsPrints
InscriptionsInscribed in pencil l.l. "Toledo", and l.r. "P. A."
ProvenanceGalería Quetzalli, Oaxaca, Mexico; Efraín Barradas, Florida
Copyrightreproduced with permsission
3 Murcielagos (3 Bats)
Francisco Toledo
1999
Que viene el Coco. (The bogeyman is coming); Plate 3 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
El de la rollona (Nanny's Boy); Plate 4 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Tal para qual. (Two of a Kind); Plate 5 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ysele quema la Casa. (And his house is on fire); Plate 18 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ya van desplumados. (There they go plucked (i.e. fleeced); Plate 20 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Si quebró el Cantaro. (Yes he broke the pot); Plate 25 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799