Skip to main content
Advanced Search
Image Not Available for El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16

El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16

(Spanish, 1746–1828)
Drawn and etched about 1815–16; printed late 19th century
Medium/TechniqueEtching, burnished aquatint, burin, drypoint, and burnishing, with additional aquatint; posthumous printing
DimensionsSheet: 31.4 x 45.6 cm (12 3/8 x 17 15/16 in.)
Credit LineGift of Francis Bullard
Accession numberM21239.16
On View
Not on view
ClassificationsPrints
ProvenanceFrancis Bullard (1862-1913), Boston; gift January 1910
El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid. (The foreceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid); from the series "Tauromaquia" (Bullfighting), plate 28
El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid. (The foreceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid); from the series "Tauromaquia" (Bullfighting), plate 28
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 19th century
Image Not Available for El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid. (The foreceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid); from the series "Tauromaquia" (Bullfighting), plate 28
El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid. (The foreceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid); from the series "Tauromaquia" (Bullfighting), plate 28
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Image Not Available for Fuerte cosa es ! (This is too much!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 31.
Fuerte cosa es ! (This is too much!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 31.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Fuerte cosa es! (This is too much!); from "Los Desastres de la Guerra" (Disasters of War), plate 31
Fuerte cosa es! (This is too much!); from "Los Desastres de la Guerra" (Disasters of War), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Image Not Available for Mort de Pepe Illo. (Death of Pepe Illo) [Third Composition]; rejected plate [F] from the series "Tauromaquia" (Bullfighting)
Mort de Pepe Illo. (Death of Pepe Illo) [Third Composition]; rejected plate [F] from the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Image Not Available for Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Image Not Available for Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)
Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Image Not Available for Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)
Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; late 19th century printing
Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)
Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
Mort de Pepe Illo. (Death of Pepe Illo) [Third Composition]; rejected plate [F] from the series "Tauromaquia" (Bullfighting)
Mort de Pepe Illo. (Death of Pepe Illo) [Third Composition]; rejected plate [F] from the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Francisco Goya y Lucientes
Drawn and etched about 1815–16; printed 19th century