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What If the Pupil Knows More? (Si sabrà mas el discipulo?) Caprichos 37
What If the Pupil Knows More? (Si sabrà mas el discipulo?) Caprichos 37

What If the Pupil Knows More? (Si sabrà mas el discipulo?)
Caprichos 37

Francisco Goya y Lucientes (Spanish, 1746–1828)
1797–1799
Medium/TechniqueEtching, aquatint with burnishing, and engraving (first edition)
DimensionsPlatemark: 21.5 x 15 cm (8 7/16 x 5 7/8 in.)
Sheet: 29 x 19.5 cm (11 7/16 x 7 11/16 in.)
Credit LineKatherine E. Bullard Fund in memory of Francis Bullard
Accession number2004.586
On View
Not on view
ClassificationsPrints
InscriptionsUpper right in engraving within platemark: 37.; lower center in engraving: titleProvenanceSold by Arsène Bonafous-Murat (dealer), Paris, to Hill-Stone, Inc. (dealer), New York; 2004, sold by Hill-Stone to the MFA. (Purchased September 22, 2004)
Otro modo de cazar á pie. (Another way of hunting on foot); "Tauromaquia" (Bullfighting), plate 2
Otro modo de cazar á pie. (Another way of hunting on foot); "Tauromaquia" (Bullfighting), plate 2
Francisco Goya y Lucientes
1815–1816
Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10
Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10
Francisco Goya y Lucientes
1815–16
Ruega por Ella (She Prays for Her) (Caprichos 31)
Ruega por Ella (She Prays for Her) (Caprichos 31)
Francisco Goya y Lucientes
Drawn and etched 1797-98, published 1799
El amor y la muerte. (Love and Death); Caprichos 10
El amor y la muerte. (Love and Death); Caprichos 10
Francisco Goya y Lucientes
1797–1799
A Bad Night (Mala noche.) Caprichos 36
A Bad Night (Mala noche.)
Caprichos 36
Francisco Goya y Lucientes
1797–1799
Can't Anyone Untie Us? (¿No hay quien nos desate?) Caprichos 75
Can't Anyone Untie Us? (¿No hay quien nos desate?)
Caprichos 75
Francisco Goya y Lucientes
1797–1799
Tristes presentimientos de lo que ha de acontecer. (Sad forebodings of what is to happen); from bound set of the first edition of "Los Desastres de la Guerra" (Disasters of War), plate 1
Tristes presentimientos de lo que ha de acontecer. (Sad forebodings of what is to happen); from bound set of the first edition of "Los Desastres de la Guerra" (Disasters of War), plate 1
Francisco Goya y Lucientes
Drawn and etched about 1813-15; published 1863
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
To Rise and to Fall (Subir y bajar.) Caprichos 56
To Rise and to Fall (Subir y bajar.)
Caprichos 56
Francisco Goya y Lucientes
1797–1799
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y atrevimiento de Juanito Apiñani en la de Madrid.) Tauromaquia 20
The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y atrevimiento de Juanito Apiñani en la de Madrid.)
Tauromaquia 20
Francisco Goya y Lucientes
1815–1816
Con razon ó sin ella. (Rightly or Wrongly); from "Los Desastres de la Guerra" (Disasters of War), plate 2
Con razon ó sin ella. (Rightly or Wrongly); from "Los Desastres de la Guerra" (Disasters of War), plate 2
Francisco Goya y Lucientes
Drawn and etched 1811-12; published 1863