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Al Conde Palatine (To the Count Palatine) Caprichos 33

(Spanish, 1746–1828)
1797–98; published 1799
Medium/TechniqueEtching, burhished aquatint, and drypoint, first edition
DimensionsPlatemark: 21.6 x 15 cm (8 1/2 x 5 7/8 in.)
Sheet: 29 x 19.6 cm (11 7/16 x 7 11/16 in.)
Credit LineKatherine E. Bullard Fund in memory of Francis Bullard
Accession number2005.530
On View
Not on view
ClassificationsPrints
ProvenanceEuropean trade; Hill-Stone, NY; from whom purchased Sept. 21, 2005
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ysele quema la Casa. (And his house is on fire); Plate 18 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ya van desplumados. (There they go plucked (i.e. fleeced); Plate 20 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Si quebró el Cantaro. (Yes he broke the pot); Plate 25 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Tal para qual. (Two of a Kind); Plate 5 from the series "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
El amor y la muerte. (Love and Death); Caprichos 10
Francisco Goya y Lucientes
1797–1799
Ya van desplumados. (There they go plucked (i.e. fleeced); Plate 20 from the series "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Correcion. (Corrrection); Plate 46 from the series "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Hasta la muerte. (Until Death); Caprichos 55
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799