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Tou agiou Ioustinou philosophou kai martyros Zena kai Sereno ... ex Bibliotheca Regia.

Tou agiou Ioustinou philosophou kai martyros Zena kai Sereno ... ex Bibliotheca Regia.

(Roman, about A.D. 100–165)
(French, 1503?–1559)
1551
Medium/TechniquePrinted book: letterpress with manuscript title page and annotations
DimensionsOverall: 35 x 23.3 x 3.6 cm (13 3/4 x 9 3/16 x 1 7/16 in.)
Credit LineGift of Thomas Michie
Accession number2014.2479
On View
Not on view
ClassificationsBooks and manuscripts
ProvenanceApollonius Scott. 1703, Nathaniel Crewe, Lord Bishop of Durham, and Baron Crewe of Ste[a]ne (b. 1633 - d. 1721), Steane, UK. Sir John Trelawny (b. 1816 - d. 1885), London; by inheritance to Trelawny's heirs; June 28, 1921, Sir John Trelawny sale, Sotheby's, London, lot 119, to "Michie," for either 18 or 28 shillings; H. Stuart Michie (b. 1871 - d. 1943), Worcester, MA; 1943, by inheritance to his wife, Jeanne Hatch Michie (d. 1958), Worcester, MA; 1958, by inheritance to her daughter, Anne Michie Sherman (b. 1921 - d. 2013), Madison, CT; 2013, by inheritance to her nephew, Thomas Michie, Brookline, MA; 2014, year-end gift of Michie to the MFA. (Accession Date: February 25, 2015)
El si pronouncian y la mano alargan/ Al primero que llega. (They say "yes" and give their hand to the first who comes); Plate 2 bound into "Los Caprichos"
El si pronouncian y la mano alargan/ Al primero que llega. (They say "yes" and give their hand to the first who comes); Plate 2 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que viene el Coco. (The bogeyman is coming); Plate 3 bound into "Los Caprichos"
Que viene el Coco. (The bogeyman is coming); Plate 3 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
El de la rollona (Nanny's Boy); Plate 4 bound into "Los Caprichos"
El de la rollona (Nanny's Boy); Plate 4 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Tal para qual. (Two of a Kind); Plate 5 bound into "Los Caprichos"
Tal para qual. (Two of a Kind); Plate 5 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Nadie se conoce. (Nobody knows anybody, including himself); Plate 6 bound into "Los Caprichos"
Nadie se conoce. (Nobody knows anybody, including himself); Plate 6 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ni asi la disintingue. (He cannot make her out even this way); Plate 7 bound into "Los Caprichos"
Ni asi la disintingue. (He cannot make her out even this way); Plate 7 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que se la llevaron. (They have carried her off!) Plate 8 bound into "Los Caprichos"
Que se la llevaron. (They have carried her off!) Plate 8 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Tantalo. (Tantalus); Plate 9 bound into "Los Caprichos"
Tantalo. (Tantalus); Plate 9 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
El amor y la muerte. (Love and Death); Plate 10 bound into "Los Caprichos"
El amor y la muerte. (Love and Death); Plate 10 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Muchachos al avío. (Lads Making Ready); Plate 11 bound into "Los Caprichos"
Muchachos al avío. (Lads Making Ready); Plate 11 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
A caza de dientes. (Out hunting for teeth); Plate 12 bound into "Los Caprichos"
A caza de dientes. (Out hunting for teeth); Plate 12 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Estan calientes. (They are hot); Plate 13 bound into "Los Caprichos"
Estan calientes. (They are hot); Plate 13 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799