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Chiton (Hush) Caprichos 28

Chiton (Hush) Caprichos 28

(Spanish, 1746–1828)
published 1799
Medium/TechniqueEtching and aquatint, with strokes of engraving, first edition
DimensionsPlatemark: 21.6 x 15.2 cm (8 1/2 x 6 in.)
Sheet: 32.4 x 22.2 cm (12 3/4 x 8 3/4 in.)
Credit LineEleanor A. Sayre Prints, Drawings, and Rare Books Fund
Accession number2015.118
On View
Not on view
ClassificationsPrints
InscriptionsIn plate, u.r. engraved: 28; below image: Chiton.
Provenance2010, sold by an unknown dealer, Paris, to Hill-Stone, Inc., South Dartmouth, MA; 2015, sold by Hill-Stone to the MFA. (Accession Date: March 18, 2015)

Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10
Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10
Francisco Goya y Lucientes
1815–16
What If the Pupil Knows More? (Si sabrà mas el discipulo?) Caprichos 37
What If the Pupil Knows More? (Si sabrà mas el discipulo?)
Caprichos 37
Francisco Goya y Lucientes
1797–1799
Ruega por Ella (She Prays for Her) (Caprichos 31)
Ruega por Ella (She Prays for Her) (Caprichos 31)
Francisco Goya y Lucientes
Drawn and etched 1797-98, published 1799
Otro modo de cazar á pie. (Another way of hunting on foot); "Tauromaquia" (Bullfighting), plate 2
Otro modo de cazar á pie. (Another way of hunting on foot); "Tauromaquia" (Bullfighting), plate 2
Francisco Goya y Lucientes
1815–1816
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Dios la Perdone: Y era su madre. (For heaven's sake, and it was her mother); Plate 16 bound into "Los Caprichos"
Dios la Perdone: Y era su madre. (For heaven's sake, and it was her mother); Plate 16 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ysele quema la Casa. (And his house is on fire); Plate 18 bound into "Los Caprichos"
Ysele quema la Casa. (And his house is on fire); Plate 18 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Todos Caerán. (All will fall); Plate 19 bound into "Los Caprichos"
Todos Caerán. (All will fall); Plate 19 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ya van desplumados. (There they go plucked (i.e. fleeced); Plate 20 bound into "Los Caprichos"
Ya van desplumados. (There they go plucked (i.e. fleeced); Plate 20 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Qual la descañonan! (Oh how they pluck out her quills); Plate 21 bound into "Los Caprichos"
Qual la descañonan! (Oh how they pluck out her quills); Plate 21 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799