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El si pronuncian y la mano alargan/ Al primero que Ilega (They say "yes" and give their hand to the first who arrives.) Caprichos 2

El si pronuncian y la mano alargan/ Al primero que Ilega (They say "yes" and give their hand to the first who arrives.) Caprichos 2

(Spanish, 1746–1828)
Drawn and etched 1797-98; published 1799
Medium/TechniqueEtching and aquatint, with burnishing, on laid paper: first edition
DimensionsPlatemark: 21.6 × 15.1 cm (8 1/2 × 5 15/16 in.)
Sheet: 31.5 × 21.2 cm (12 3/8 × 8 3/8 in.)
Credit LineEleanor A. Sayre Fund
Accession number2017.4045
On View
Not on view
ClassificationsPrints
InscriptionsEngraved, upper right: "P. 2"; b.c.: El si pronuncian y la mano alargan? Al primero que llega"
ProvenanceHenri M. Petiet (b. 1894 – d. 1980), Paris (Lugt 5031); 1990s, probably sold with the Petiet collection in France. 1990s, sold by an American private collector to Carolyn Bullard, Fine Prints and Drawings, LLC, Dallas and Susan Schulman Printseller, LLC, New York; 1999, sold by Carolyn Bullard and Susan Schulman to Joseph George Perutz (b. 1925 - d. 2016) , Dallas, TX; by inheritance to his widow, Dr. Sidney Perutz; 2017, sold by Dr. Perutz through Carolyn Bullard and Susan Schulman to the MFA. (Accession Date: October 11, 2017)
El amor y la muerte. (Love and Death); Caprichos 10
El amor y la muerte. (Love and Death); Caprichos 10
Francisco Goya y Lucientes
1797–1799
Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10
Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10
Francisco Goya y Lucientes
1815–16
Ruega por Ella (She Prays for Her) (Caprichos 31)
Ruega por Ella (She Prays for Her) (Caprichos 31)
Francisco Goya y Lucientes
Drawn and etched 1797-98, published 1799
Otro modo de cazar á pie. (Another way of hunting on foot); "Tauromaquia" (Bullfighting), plate 2
Otro modo de cazar á pie. (Another way of hunting on foot); "Tauromaquia" (Bullfighting), plate 2
Francisco Goya y Lucientes
1815–1816
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Temeridad de Martincho en la plaza de Zaragoza. (Martincho's recklessness in the ring at Zaragoza); from the series "Tauromaquia" (Bullfighting), plate 18
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y atrevimiento de Juanito Apiñani en la de Madrid.) Tauromaquia 20
The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y atrevimiento de Juanito Apiñani en la de Madrid.)
Tauromaquia 20
Francisco Goya y Lucientes
1815–1816
A Bad Night (Mala noche.) Caprichos 36
A Bad Night (Mala noche.)
Caprichos 36
Francisco Goya y Lucientes
1797–1799
Can't Anyone Untie Us? (¿No hay quien nos desate?) Caprichos 75
Can't Anyone Untie Us? (¿No hay quien nos desate?)
Caprichos 75
Francisco Goya y Lucientes
1797–1799
Tristes presentimientos de lo que ha de acontecer. (Sad forebodings of what is to happen); from bound set of the first edition of "Los Desastres de la Guerra" (Disasters of War), plate 1
Tristes presentimientos de lo que ha de acontecer. (Sad forebodings of what is to happen); from bound set of the first edition of "Los Desastres de la Guerra" (Disasters of War), plate 1
Francisco Goya y Lucientes
Drawn and etched about 1813-15; published 1863
To Rise and to Fall (Subir y bajar.) Caprichos 56
To Rise and to Fall (Subir y bajar.)
Caprichos 56
Francisco Goya y Lucientes
1797–1799
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
Con razon ó sin ella. (Rightly or Wrongly); from "Los Desastres de la Guerra" (Disasters of War), plate 2
Con razon ó sin ella. (Rightly or Wrongly); from "Los Desastres de la Guerra" (Disasters of War), plate 2
Francisco Goya y Lucientes
Drawn and etched 1811-12; published 1863