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Linda maestra! (Pretty teacher!); Plate 68 from the series "Los Caprichos"

(Spanish, 1746–1828)
Drawn and etched, 1797–98; published 1799
Medium/TechniqueEtching, burnished aquatint, and drypoint; first edition
DimensionsPlatemark: 21.4 x 15 cm (8 7/16 x 5 7/8 in.)
Sheet: 30.3 x 19.7 cm (11 15/16 x 7 3/4 in.)
Credit LineGift of Miss Katherine Eliot Bullard
Accession number14.1787
On View
Not on view
ClassificationsPrints
ProvenanceBy 1913, Francis Bullard (b. 1862 – d. 1913), Boston; 1913, by inheritance to his sister, Katherine Eliot Bullard (b. 1866 – d. 1920), Boston; 1914, gift of Katherine Eliot Bullard to the MFA. (Accession Date: March 23, 2018)
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ysele quema la Casa. (And his house is on fire); Plate 18 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ya van desplumados. (There they go plucked (i.e. fleeced); Plate 20 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ya van desplumados. (There they go plucked (i.e. fleeced); Plate 20 from the series "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Correcion. (Corrrection); Plate 46 from the series "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Hasta la muerte. (Until Death); Caprichos 55
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799