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Y aun no se van! (And still they don't go!); Caprichos 59
Y aun no se van! (And still they don't go!); Caprichos 59

Y aun no se van! (And still they don't go!); Caprichos 59

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched, 1797–98; published 1799
Medium/TechniqueEtching, burnished aquatint, and burin, on laid paper; first edition
DimensionsPlatemark: 21.9 x 15.2 cm (8 5/8 x 6 in.)
Sheet: 31.5 x 22 cm (12 3/8 x 8 11/16 in.)
Credit LineGift of Sylvester Rosa Koehler
Accession number98.1843
On View
Not on view
ClassificationsPrints
InscriptionsEngraved, u.r.: 59; b.c.: Y aun no se van!ProvenanceBy 1888, Frederick Keppel & Co., Inc., New York; 1888, sold by Keppel to Sylvester Rosa Koehler (b. 1837 - d. 1900), Leipzig, Boston, and Littleton, NH; 1898, gift of Koehler to the MFA. (Accession Date: March 23, 2018)

NOTE:
Sylvester Rosa Koehler was the first Print Curator at the MFA and served from 1887 until his death in 1900. He deposited his collection at the MFA in 1895-1896. The gift of Mr. Koehler's collection was accepted by the Trustees of the MFA on October 20, 1898.
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Bellos Consejos (Pretty Advice) Caprichos 15
Bellos Consejos (Pretty Advice) Caprichos 15
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ni mas ni menos. (Neither more nor less); Caprichos 41
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Francisco Goya y Lucientes
1815- 1816
La desgraciada muerte de Pepe Illo en la plaza de Madrid. (The ill-fated death of 'Pepe Hillo' in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 33
La desgraciada muerte de Pepe Illo en la plaza de Madrid. (The ill-fated death of 'Pepe Hillo' in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 33
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Ya es hora. (It is Time); Caprichos 80
Ya es hora. (It is Time); Caprichos 80
Francisco Goya y Lucientes
Drawn and etched 1797-98, published 1799
Bien tirada está (It is nicely stretched) Caprichos 17
Bien tirada está (It is nicely stretched) Caprichos 17
Francisco Goya y Lucientes
Drawn and etched, 1797-98, published 1799
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799