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Ya es hora. (It is Time); Caprichos 80
Ya es hora. (It is Time); Caprichos 80

Ya es hora. (It is Time); Caprichos 80

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched 1797-98, published 1799
Medium/TechniqueEtching, burnished aquatint, drypoint, and burin, on laid paper, first edition
DimensionsSheet: 21.5 x 15 cm (8 7/16 x 5 7/8 in.)
Credit LineMuseum purchase with funds by exchange from the Gifts of Miss Katherine Eliot Bullard and the Bequest of Eleanor A. Sayre
Accession number2014.812
On View
Not on view
ClassificationsPrints
InscriptionsEngraved in plate: u.r.: 80; b.c. Ya es horaProvenanceSaid to come from a private European collection. By 2013, Jean-Robert Oppliger, Monaco; 2014, sold by Jean-Robert Oppliger, through August Laube Buch und Kunstantiquariat, Zürich, to the MFA. (Accession Date: May 28, 2014)
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Ni mas ni menos. (Neither more nor less); Caprichos 41
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Francisco Goya y Lucientes
1815- 1816
La desgraciada muerte de Pepe Illo en la plaza de Madrid. (The ill-fated death of 'Pepe Hillo' in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 33
La desgraciada muerte de Pepe Illo en la plaza de Madrid. (The ill-fated death of 'Pepe Hillo' in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 33
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Bellos Consejos (Pretty Advice) Caprichos 15
Bellos Consejos (Pretty Advice) Caprichos 15
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Y aun no se van! (And still they don't go!); Caprichos 59
Y aun no se van! (And still they don't go!); Caprichos 59
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Bien tirada está (It is nicely stretched) Caprichos 17
Bien tirada está (It is nicely stretched) Caprichos 17
Francisco Goya y Lucientes
Drawn and etched, 1797-98, published 1799
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo. (The moors settled in Spain...); from the series "Tauromaquia" (Bullfighting), plate 3
Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo. (The moors settled in Spain...); from the series "Tauromaquia" (Bullfighting), plate 3
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816