Skip to main content
Advanced Search
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.

No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.

(Spanish, 1746–1828)
Drawn and etched about 1810–14
Medium/TechniqueEtching, aquatint, and/or sulfur tint (?), drypoint, and burin; working proof
DimensionsPlatemark: 14.8 x 21.8 cm (5 13/16 x 8 9/16 in.)
Sheet: 22 x 32.3 cm (8 11/16 x 12 11/16 in.)
Credit LineMuseum purchase with funds donated by Techno-colour Co., Inc., Montreal and by exchange from the gift of the Children of Dr. James B. Ayer
Accession number1973.722
On View
Not on view
ClassificationsPrints
ProvenanceTsarkoye Selo (one of the imperial summer palaces, Russia; Metropolitan Museum of Art duplicate (32.62.11); to Mr. and Mrs. Philip Hofer, Cambridge, MA; from whom purchased by MFA through Robert M. Light, Boston, June, 1974 (original vote June 13, 1973)
Ni por esas. (Neither do these); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 11.
Ni por esas. (Neither do these); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 11.
Francisco Goya y Lucientes
Drawn and etched about 1810–14
Bien te se está. (It serves you right); from Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal Consequences of the Bloody War in Spain Against Bonaparte [Disasters of War], plate 6.
Bien te se está. (It serves you right); from Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal Consequences of the Bloody War in Spain Against Bonaparte [Disasters of War], plate 6.
Francisco Goya y Lucientes
Drawn and etched about 1811-12
Bien te se está. (It serves you right); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal Consequences of the bloody war in Spain with Bonaparte. And other emphatic caprices. [Disasters of War], plate 6.
Bien te se está. (It serves you right); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal Consequences of the bloody war in Spain with Bonaparte. And other emphatic caprices. [Disasters of War], plate 6.
Francisco Goya y Lucientes
Drawn and etched 1811-12
Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Ni por esas. (Neither do these); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 11.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Francisco Goya y Lucientes
Drawn and etched about 1810–143
Populacho. (Rabble); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 28.
Francisco Goya y Lucientes
Drawn and etched about 1820–23; whole series first published posthumously 1863
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863