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El famoso Martincho poniendo banderillas al quiebro. (The famous Martincho places the banderillas playing the bull with the movement of his body); from the series "Tauromaquia" (Bullfighting), plate 15
El famoso Martincho poniendo banderillas al quiebro. (The famous Martincho places the banderillas playing the bull with the movement of his body); from the series "Tauromaquia" (Bullfighting), plate 15

El famoso Martincho poniendo banderillas al quiebro. (The famous Martincho places the banderillas playing the bull with the movement of his body); from the series "Tauromaquia" (Bullfighting), plate 15

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched about 1815–16; published 1816
Medium/TechniqueEtching, burnished aquatint, drypoint, and burin; first edition
DimensionsPlatemark: 24.5 x 35.2 cm (9 5/8 x 13 7/8 in.)
Sheet: 31.2 x 44.4 cm (12 5/16 x 17 1/2 in.)
Credit LineBequest of W. G. Russell Allen
Accession number1974.271
On View
Not on view
ClassificationsPrints
ProvenanceW.G. Russell Allen (1882-1955), Boston; bequest of April 1974
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Ni mas ni menos. (Neither more nor less); Caprichos 41
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo. (The moors settled in Spain...); from the series "Tauromaquia" (Bullfighting), plate 3
Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo. (The moors settled in Spain...); from the series "Tauromaquia" (Bullfighting), plate 3
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Francisco Goya y Lucientes
1815- 1816
Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish noble, without help of assistants, breaks short rejónes (spears) in the plaza); from the series "Tauromaquia" (Bullfighting), plate 13
Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos. (A Spanish noble, without help of assistants, breaks short rejónes (spears) in the plaza); from the series "Tauromaquia" (Bullfighting), plate 13
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
El diestrísimo estudiante de Falces, embozadado burla al toro con sus quiebros. (The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body); from the series "Tauromaquia" (Bullfighting), plate 14
El diestrísimo estudiante de Falces, embozadado burla al toro con sus quiebros. (The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body); from the series "Tauromaquia" (Bullfighting), plate 14
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
Palenque de los moros hecho con burros para defenderse del toro embolado. (Barricades that the Moors made with donkeys to defend themselves from a bull with covered horns); from the series "Tauromaquia" (Bullfighting), plate 17
Palenque de los moros hecho con burros para defenderse del toro embolado. (Barricades that the Moors made with donkeys to defend themselves from a bull with covered horns); from the series "Tauromaquia" (Bullfighting), plate 17
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
Otra locura suya en la misma plaza. (More of his ["Martincho's"] madness in the same ring); from the series "Tauromaquia" (Bullfighting), plate 19
Otra locura suya en la misma plaza. (More of his ["Martincho's"] madness in the same ring); from the series "Tauromaquia" (Bullfighting), plate 19
Francisco Goya y Lucientes
Drawn and etched 1815, published 1816