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Blind Man Tossed on the Horns of a Bull

Blind Man Tossed on the Horns of a Bull

(Spanish, 1746–1828)
1800–04
Medium/TechniqueEtching, aquatint, sulfur tint (or corrosion), posthumous proof
DimensionsPlatemark: 17.5 x 21.5 cm (6 7/8 x 8 7/16 in.);
Sheet: 19.2 x 23 cm (7 9/16 x 9 1/16 in.)
Credit LineBequest of Eleanor A. Sayre
Accession number2002.514
On View
Not on view
ClassificationsPrints
ProvenanceEleanor A. Sayre, Cambridge, MA; bequest to MFA
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Francisco Goya y Lucientes
1800–04
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Francisco Goya y Lucientes
1800–04
Image Not Available for Bien te se está. (It serves you right); from "Los Desatres de la Guerra" (Disasters of War), plate 6, mounted in a bound album.
Bien te se está. (It serves you right); from "Los Desatres de la Guerra" (Disasters of War), plate 6, mounted in a bound album.
Francisco Goya y Lucientes
Drawn and etched about 1811-12; this set printed about 1862; whole series first published posthumously 1863
Qué alborato es este? (What is this hubbub?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 65 (one of the "caprichos enfáticos").
Qué alborato es este? (What is this hubbub?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 65 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Image Not Available for Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Image Not Available for Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Image Not Available for Ni por esas. (Neither do these); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 11.
Ni por esas. (Neither do these); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 11.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Image Not Available for No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Disparate de Tontos (Fool's Folly) from the Disparates series
Disparate de Tontos (Fool's Folly) from the Disparates series
Francisco Goya y Lucientes
Drawn and etched, 1816-19, printed about 1877
Image Not Available for Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
Image Not Available for Populacho. (Rabble); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 28.
Populacho. (Rabble); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 28.
Francisco Goya y Lucientes
Drawn and etched about 1820–23; whole series first published posthumously 1863