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Stilt step (tapuva'e)

19th–20th century
Object PlaceMarquesas Islands, French Polynesia
Medium/TechniqueIronwood
Dimensions36.83 cm (14 1/2 in.)
Credit LineGift of William E. and Bertha L. Teel
Accession number1992.418
On View
On view
ClassificationsSculpture
Description
Marquesan men performed on stilts both for entertainment and for ritual occasions, such as weddings, funerary ceremonies for chiefs and priests, and coming-of-age celebrations. Most performances were contests between opponents that took place on large public ceremonial platforms. Drums provided music for costumed dancers wearing feather head-dresses. Audiences placed wagers on races, mock battles, and other competitions. The contestants on poles up to seven feet high attempted to dislodge each other. Footrests such as this one were lashed to the poles two or three feel from the bottom. The upcurved shape is supported by a stocky caryatid in the form of a tiki, the human image central to the Marquesan belief system. It displays the typical massive legs, closed arms, and large head with well-defined features. Shallow grooves covering the entire body recall the tattoos that beautify the Marquesan men's and women's bodies.
ProvenanceMay 9, 1987, sold by the Galerie Alain Schoffel, Paris, to William and Bertha Teel, Marblehead, MA; 1992, partial gift of William and Bertha Teel to the MFA; 2014, acquired fully with the bequest of William Teel to the MFA. (Accession Dates: June 30, 1992 and February 26, 2014)
Figure (hampatong)
Artist Unidentified, Pacific Islander
20th century, 1950–2000
Yam cult head (yina)
Artist Unidentified, Pacific Islander
20th century
Female figure (nogwi)
19th–20th century
Figure
19th–20th century
Arapesh Figure
20th century
Carved face
Artist Unidentified, Pacific Islander
19th–20th century
Head
Artist Unidentified, Pacific Islander
mid-19th to early 20th century
Standing figure (totok)
Artist Unidentified, Pacific Islander
19th–20th century