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No grites, tonta. (Don't scream, stupid); Caprichos 74
No grites, tonta. (Don't scream, stupid); Caprichos 74

No grites, tonta. (Don't scream, stupid); Caprichos 74

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched, 1797–98; published 1799
Medium/TechniqueEtching and burnished aquatint, on laid paper, first edition
DimensionsPlatemark: 21.8 x 15.1 cm (8 9/16 x 5 15/16 in.)
Sheet: 31.5 x 22.1 cm (12 3/8 x 8 11/16 in.)
Credit LineGift of Sylvester Rosa Koehler
Accession number98.1842
On View
Not on view
ClassificationsPrints
InscriptionsEngraved, u.r.: 74; b.c.: No grites, tonta.ProvenanceBy 1888, Frederick Keppel & Co., Inc., New York; 1888, sold by Keppel to Sylvester Rosa Koehler (b. 1837 - d. 1900), Leipzig, Boston, and Littleton, NH; 1898, gift of Koehler to the MFA. (Accession Date: March 23, 2018)

NOTE:
Sylvester Rosa Koehler was the first Print Curator at the MFA and served from 1887 until his death in 1900. He deposited his collection at the MFA in 1895-1896. The gift of Mr. Koehler's collection was accepted by the Trustees of the MFA on October 20, 1898.
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Que viene el Coco. (The bogeyman is coming); Caprichos 3
Que viene el Coco. (The bogeyman is coming); Caprichos 3
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Nadie se conoce. (Nobody knows anybody, including himself); Caprichos 6
Nadie se conoce. (Nobody knows anybody, including himself); Caprichos 6
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
A caza de dientes. (Out hunting for teeth); Caprichos 12
A caza de dientes. (Out hunting for teeth); Caprichos 12
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Bellos Consejos (Pretty Advice) Caprichos 15
Bellos Consejos (Pretty Advice) Caprichos 15
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ni mas ni menos. (Neither more nor less); Caprichos 41
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Y aun no se van! (And still they don't go!); Caprichos 59
Y aun no se van! (And still they don't go!); Caprichos 59
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Francisco Goya y Lucientes
1815- 1816
La desgraciada muerte de Pepe Illo en la plaza de Madrid. (The ill-fated death of 'Pepe Hillo' in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 33
La desgraciada muerte de Pepe Illo en la plaza de Madrid. (The ill-fated death of 'Pepe Hillo' in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 33
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
El sueño de la razon produce monstruos. (The sleep [or dream] of reason produces monsters); Plate 43 bound into a set of Caprichos
El sueño de la razon produce monstruos. (The sleep [or dream] of reason produces monsters); Plate 43 bound into a set of Caprichos
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Buen Viage (Bon Voyage); Caprichos 64
Buen Viage (Bon Voyage); Caprichos 64
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799