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Buen Viage (Bon Voyage); Caprichos 64
Buen Viage (Bon Voyage); Caprichos 64

Buen Viage (Bon Voyage); Caprichos 64

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched 1797–98, published 1799
Medium/TechniqueEtching, burnished aquatint, and drypoint, on laid paper, first edition impression
DimensionsPlatemark: 21.5 x 15. cm (8 7/16 x 5 7/8 in.)
Sheet: 27.8 x 19.2 cm (10 15/16 x 7 9/16 in.)
Credit LineBequest of Eleanor A. Sayre
Accession number2002.509
On View
Not on view
ClassificationsPrints
InscriptionsEngraved, u.r.: 64; b.c.: Buen Viage.ProvenanceLondon Grafica Arts, London; 1969 to Eleanor A. Sayre (b. 1916 - d. 2001), Cambridge, MA; bequest to MFA (Accession Date: October 23, 2002)
Porque esconderlos? (Why hide them?); Plate 30 from "Los Caprichos"
Porque esconderlos? (Why hide them?); Plate 30 from "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Ni mas ni menos. (Neither more nor less); Caprichos 41
Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Capean otro encerrado. (They play another with the cape in an enclosure); from the series "Tauromaquia" (Bullfighting), plate 4
Francisco Goya y Lucientes
1815- 1816
La desgraciada muerte de Pepe Illo en la plaza de Madrid. (The ill-fated death of 'Pepe Hillo' in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 33
La desgraciada muerte de Pepe Illo en la plaza de Madrid. (The ill-fated death of 'Pepe Hillo' in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 33
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
El sueño de la razon produce monstruos. (The sleep [or dream] of reason produces monsters); Plate 43 bound into a set of Caprichos
El sueño de la razon produce monstruos. (The sleep [or dream] of reason produces monsters); Plate 43 bound into a set of Caprichos
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Ya es hora. (It is Time); Caprichos 80
Ya es hora. (It is Time); Caprichos 80
Francisco Goya y Lucientes
Drawn and etched 1797-98, published 1799
Tantalo. (Tantalus); Plate 9 from the series "Los Caprichos"
Tantalo. (Tantalus); Plate 9 from the series "Los Caprichos"
Francisco Goya y Lucientes
printed 1798; published 1799
Todos Caerán. (All will fall); Plate 19 from "Los Caprichos"
Todos Caerán. (All will fall); Plate 19 from "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Quien lo Creyera! (Who Would Have Thought It!) Plate 62 of "Los Caprichos"
Quien lo Creyera! (Who Would Have Thought It!) Plate 62 of "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The same Ceballos mounted on another bull breaks short spears in the ring at Madrid); from the series "Tauromaquia" (Bullfighting), plate 24
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The same Ceballos mounted on another bull breaks short spears in the ring at Madrid); from the series "Tauromaquia" (Bullfighting), plate 24
Francisco Goya y Lucientes
Drawn and etched 1815–16, published 1816
Que viene el Coco. (The bogeyman is coming); Caprichos 3
Que viene el Coco. (The bogeyman is coming); Caprichos 3
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799