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Pedro Romero matando á toro parando. (Pedro Romero killing a bull that he has subdued); from the series "Tauromaquia" (Bullfighting), plate 30

(Spanish, 1746–1828)
Drawn and etched 1815–16; published 1816
Medium/TechniqueEtching, aquatint, drypoint, and burin, on laid paper; first edition
DimensionsPlatemark: 24.7 x 35.7 cm (9 3/4 x 14 1/16 in.)
Sheet: 31.7 x 44.8 cm (12 1/2 x 17 5/8 in.)
Credit LineBequest of W. G. Russell Allen
Accession number1974.286
On View
Not on view
ClassificationsPrints
ProvenanceWilliam Goodwin Russell Allen (b. 1882 — d. 1955; Lugt 3593),Boston; 1974, bequest to MFA (Accession Date: April 10, 1974)

Ni mas ni menos. (Neither more nor less); Caprichos 41
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Ya es hora.  (It is Time); Caprichos 80
Francisco Goya y Lucientes
Drawn and etched 1797-98, published 1799
Hilan delgado.  (They Spin Finely); Caprichos 44
Francisco Goya y Lucientes
Drawn and etched 1797-98, published 1799
Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter) Caprichos 1
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Bellos Consejos (Pretty Advice)  Caprichos 15
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Bien tirada está (It is nicely stretched) Caprichos 17
Francisco Goya y Lucientes
Drawn and etched, 1797-98, published 1799
Y aun no se van! (And still they don't go!); Caprichos 59
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799