Skip to main content
Advanced Search
The Phantom

The Phantom

(Belgian, 1860–1949)
1889
Medium/TechniqueEtching, drypoint, and sulfur tint, fourth state, the plate beveled
DimensionsPlatemark: 7.6 x 12.1 cm (3 x 4 3/4 in.)
Sheet: 24.1 x 29.8 cm (9 1/2 x 11 3/4 in.)

Credit LineFund in memory of Horatio Greenough Curtis
Accession number2003.124
On View
Not on view
ClassificationsPrints
InscriptionsIn plate, l.r.: ENSOR; in graphite, l.r. margin: James Ensor 1889
ProvenanceMr. Patrick Florizoone, James Ensor Archive, Belgium; to C. G. Boerner, NY; from whom purchased March 26, 2003
Auto-Da-Fe
Auto-Da-Fe
James Ensor
1893
Image Not Available for Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Francisco Goya y Lucientes
1800–04
Tristes presentimientos de lo que ha de acontecer. (Sad forebodings of what is to happen); from bound set of the first edition of "Los Desastres de la Guerra" (Disasters of War), plate 1
Tristes presentimientos de lo que ha de acontecer. (Sad forebodings of what is to happen); from bound set of the first edition of "Los Desastres de la Guerra" (Disasters of War), plate 1
Francisco Goya y Lucientes
Drawn and etched about 1813-15; published 1863
Image Not Available for Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)
Cheval renversé par un taureau. (Horse thrown by a bull); rejected plate [B] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
The Arch with a Shell Ornament (Plate XI of the Second Edition, Second Issue, of the Carceri)
The Arch with a Shell Ornament (Plate XI of the Second Edition, Second Issue, of the Carceri)
Giovanni Battista Piranesi
1749-50
Image Not Available for Populacho. (Rabble); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 28.
Populacho. (Rabble); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 28.
Francisco Goya y Lucientes
Drawn and etched about 1820–23; whole series first published posthumously 1863
Image Not Available for No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Image Not Available for Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Image Not Available for Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863